Austen scholars have opined that Wright's work created a new hybrid genre by blending traditional traits of the heritage film with "youth-oriented filmmaking techniques". It received generally positive reviews, and also received four nominations at the 78th Academy Awards, including Best Actress in a Leading Role for 20-year-old Knightley, making her the third-youngest Best Actress nominee at the time. Pride & Prejudice earned a worldwide gross of approximately $121 million, a commercial success. It was marketed to a younger, mainstream audience promotional items noted that it came from the producers of 2001's romantic comedy Bridget Jones's Diary before acknowledging its provenance as an Austen novel. The film's themes emphasise realism, romanticism and family. Produced by Working Title Films in association with StudioCanal, Pride & Prejudice was released on 16 September 2005 in the United Kingdom and on 11 November in the United States. Knightley was well known in part from her role in the Pirates of the Caribbean film series, while Macfadyen had no international name recognition. The filmmakers had to balance who they thought was best for each role with the studio's desire for stars. Wright found casting difficult due to past performances of particular characters. It was shot entirely on location in England on an 11-week schedule. Wright and Moggach set the film in an earlier period and avoided depicting a "perfectly clean Regency world", presenting instead a "muddy hem version" of the time. Wright encouraged greater deviation from the text, including changing the dynamics within the Bennet family. Screenwriter Deborah Moggach initially attempted to make her script as faithful to the novel as possible, writing from Elizabeth's perspective while preserving much of the original dialogue. Keira Knightley stars in the lead role of Elizabeth Bennet, while Matthew Macfadyen plays her romantic interest Mr Darcy. The film features five sisters from an English family of landed gentry as they deal with issues of marriage, morality and misconceptions. But "Pirates" should never have been made, at least not by a director with no instinctive sympathy for the material, and not by an actor whose chief inspiration seems to be the desire to be a good sport.Pride & Prejudice is a 2005 romantic drama film directed by Joe Wright, in his feature directorial debut, and based on Jane Austen's 1813 novel of the same name. Polanski had gone eight years without a movie (his last film was " Tess"), and no doubt he was happy to have the work. Polanski wrote the script 12 years ago, shortly after finishing " Chinatown," and it languished on his agent's desk until Tarak Ben Ammar, a wealthy Tunisian, finally signed on as producer. The real tragedy of "Pirates" may be that the movie was more of a deal than an inspiration. He begins with a real ship, then treats it like a studio set. It's one of the finest sailing ships I've ever seen in a movie, but I couldn't see much of it, because Polanski steadfastly refuses to give us blood-stirring shots of the Neptune plowing through the waves. The real star of the movie is the Neptune, the full-size, functional galleon that was constructed as a set for most of the scenes. One of Polanski's very worst films was " The Fearless Vampire Killers, or Pardon Me but Your Teeth Are in My Neck / Dance of the Vampires," and again this time, he is totally adrift trying for laughs with an expensive takeoff of a B-movie genre. Matthau is, however, a very capable comedy actor, and there are times when Polanski seems to be trying for comedy, although search me if you can find a laugh in this movie. "Pirates" proves, if nothing else, that Matthau is not an action star and that Polanski is not an action director. He sets about trying to steal the booty, but not before the movie bogs down in a hopeless quagmire of too much talk, too many characters and ineptly staged confrontations in which everyone stands around wondering what to do next. Cast adrift in the open sea, he is picked up by a passing Spanish galleon and soon learns that the ship's cargo is a priceless golden throne. Red, a vile old swashbuckler who eats fishhooks for breakfast. It also gives us a new pirate image to ponder.Īfter Errol Flynn and Tyrone Power, here is Walter Matthau as a pirate? Matthau is only partially visible behind his makeup and his costumes, but the part we can see appears to be totally at a loss to answer this question: What is Walter Matthau doing on the bounding main, wearing a peg leg? The movie stars Matthau as Capt. This movie represents some kind of low point for the genre that gave us Captain Blood. There hasn't been a pirate movie in a long time, and after Roman Polanski's "Pirates," there may not be another one for a very long time.
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